Musical Analysis

Memórias e histórias do acorde napolitano e de suas funções em certas canções da música popular no Brasil / Memories and Stories from the Neapolitan Chord and its Functions in Certain Songs of Popular Music in Brazil. Revista do Instituto de Estudos Brasileiros, 2014

Harmonic Analysis / Music / Music History / Music Theory / Musicology / Popular Music Studies / Popular Music / History of Popular Music / Jazz Studies / Jazz Theory / Music analysis / Popular musicology / Musica / Música / Harmonia / Neapolitan sixth / Música Popular Brasileira / Musical Analysis / Análise Musical / Chords / Canção Popular Brasileira / História e Canção / Chico Buarque / Teoria Musical / Harmonia Funcional / Teoria e Análise Musical / Semiótica Da Canção Brasileira / Canção Crítica / Armonia Musical / Neapolitan chord / Popular Music Studies / Popular Music / History of Popular Music / Jazz Studies / Jazz Theory / Music analysis / Popular musicology / Musica / Música / Harmonia / Neapolitan sixth / Música Popular Brasileira / Musical Analysis / Análise Musical / Chords / Canção Popular Brasileira / História e Canção / Chico Buarque / Teoria Musical / Harmonia Funcional / Teoria e Análise Musical / Semiótica Da Canção Brasileira / Canção Crítica / Armonia Musical / Neapolitan chord

MÚSICA Y TEORÍA DE GRUPOS FINITOS. 3 VARIABLES BOOLEANAS. J. ESTRADA & JORGE GIL

Music analysis / Music Theory and Music Analysis / Theory of Harmony / Mathematics and Music / Musical Analysis / Counterpoint / Diatonic Scale / Music and Mathematics / Major / Major, Harmonic Minor, Melodic Minor and Harmonic Major Modes. Also Diatonic Substitutions for modes. Also Harmonic Function of Chords and Scales Part I-VI. Harmonic Major modes. / Harmony and Counterpoint / Harmonic Structure / THEORY OF MELODY / Counterpoint / Diatonic Scale / Music and Mathematics / Major / Major, Harmonic Minor, Melodic Minor and Harmonic Major Modes. Also Diatonic Substitutions for modes. Also Harmonic Function of Chords and Scales Part I-VI. Harmonic Major modes. / Harmony and Counterpoint / Harmonic Structure / THEORY OF MELODY

“Nada será como antes”: a música de Victor Assis Brasil no álbum Pedrinho

Music / Improvisation / Jazz Improvisation / Music Improvisation / Música / Musical Analysis / Musical Improvisation / Improvisação, Jazz Theory / Improvisação Musical / Musical Analysis / Musical Improvisation / Improvisação, Jazz Theory / Improvisação Musical

[Dissertação de Mestrado] Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)

Music Theory / Neo-Riemannian Analysis / Music analysis / Musical Modernism / David Lewin / Symmetry / Musical Analysis / Análise Musical / Nacionalismo / Villa-Lobos / Pitch-class Set Theory / Heitor Villa-Lobos / Heitor Villa-Lobos (1887-1959) / Teoria e Análise Musical / Neo-Riemannian Theory / Choros Nº4 / Choros Nº7 / Inversional Symmetry / Pitch-class theory, Analysis of Post-tonal music / Dmitri Tymoczko / Simetria intervalar / Scale Networks Tymoczko / Richard Cohn / Symmetry / Musical Analysis / Análise Musical / Nacionalismo / Villa-Lobos / Pitch-class Set Theory / Heitor Villa-Lobos / Heitor Villa-Lobos (1887-1959) / Teoria e Análise Musical / Neo-Riemannian Theory / Choros Nº4 / Choros Nº7 / Inversional Symmetry / Pitch-class theory, Analysis of Post-tonal music / Dmitri Tymoczko / Simetria intervalar / Scale Networks Tymoczko / Richard Cohn

Música e função narrativa: o jogo Super Mario Bros

Musical Composition / Music Theory / Embodied Cognition / Cognitive Neuroscience / Musical Analysis

Music as Narrative

Music Theory / Musicology / Aesthetics / Narrative / Music Aesthetics / Narrative and Music / Narrative Theory / Musical Analysis / Narrative and Music / Narrative Theory / Musical Analysis

Aspectos tonais na segunda canção de Das Buch Der Hängenden Gärten, de Arnold Schoenberg

Schenkerian Analysis / Arnold Schoenberg / Musical Analysis / Análise Musical

Ressonâncias, Reflexos e Confluências: Três Maneiras de Conceber as Semelhanças Entre o Sonoro e o Visual em Obras do Século XX (Tese de Doutorado)

Musicology / Philosophy / Art History / Music Aesthetics / History of Art / Music analysis / Aesthetics and Theory of Arts / Etienne Souriau / Music and the Visual Arts / Musical Analysis / Music analysis / Aesthetics and Theory of Arts / Etienne Souriau / Music and the Visual Arts / Musical Analysis

Gesto Textural e Planejamento Composicional. Vol. II Anexos

Musical Composition / Musical Textures / Musical Analysis / Análise Musical / Composição Musical

Os 24 Prelúdios e Fugas, op. 87, de Shostakovich: uma análise do Prelúdio e Fuga nº 4 em Mi menor

Music / Musicology / Musical Analysis

Uirapuru de Villa - Lobos e Sam Zebba: uma análise comparativa entre música e cena

Music / Audiovisual / Música / Musical Analysis / Análise Musical / Musical Narratology

O motivo 1-5-6-5 nos 24 Prelúdios e Fugas, Op. 87 de Dmitri Shostakovich

Music / Musicology / Música / Musical Analysis / Teoria Musical

Investigando Procedimentos Poéticos e Estruturais em “Prologue” de Gérard Grisey

Musical Composition / Contemporary Music / Music analysis / Spectralism / Musical Analysis / Gérard Grisey

Webern durch Stockhausen: a estética da Momentform aplicada ao Opus 11/3

Musical Composition / Contemporary Music / Music analysis / Musical Analysis

O Calendário do som de Hermeto Pascoal

Music / Musicology / Ethnomusicology / Cultural Musicology / Música / Musical Analysis / Hermeto Pascoal / Musical Analysis / Hermeto Pascoal

Poesilúdio nº 4 de Almeida Prado: dimensões de tempo e altura como ferramenta de subversão e ampliação do conceito de forma

Musical Composition / Musical Analysis / Análise Musical / música do século XX / Teoria e Análise Musical

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